Saturday, 27 November 2010

Cloned cattle food safe to eat, say scientists

Cloned cattle food safe to eat, say scientists

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The BBC's Pallab Ghosh looks at how cloned meat reaches the dinner table

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Meat and milk from cloned cattle and their offspring are safe to consume, independent scientists have said.

The Advisory Committee on Novel Foods and Processes said it believed the food was unlikely to present any risk.

The Food Standards Agency will discuss the conclusions in December before providing further advice to ministers.

Questions raised by reports over the summer that meat from cloned animals' offspring was sold to consumers "remain unanswered", the Soil Association says.

However, the committee's scientists said there was no substantial difference between meat and milk from cloned animals and produce from conventional livestock, in line with a number of other scientific assessments.

Three cases had emerged of meat linked to a cloned cow being sold in the UK, according to the Food Standards Agency (FSA).

Two involved Highlands farm bulls grown from embryos of a cow cloned in the US, while the third involved meat from a male calf being sent to a London butcher's shop.

Disadvantage claim

The FSA said the calf was the offspring of one of eight animals born in the UK from embryos produced by the US cloned cow.

FSA chief scientist Andrew Wadge said: "The Advisory Committee on Novel Foods and Processes has confirmed that meat and milk from cloned cattle and their offspring shows no substantial difference to conventionally produced meat and milk, and therefore is unlikely to present a food safety risk."

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Not only does cloning have a negative impact on animal welfare, we also have no long-term evidence for the impacts on health”

End Quote Soil Association

In the US, South America and Asia, farmers can breed from cloned cows, sheep and pigs in order to increase milk and meat production.

However, farmers in Europe who want to introduce the products of cloned animals into the food chain require specific authorisation because they are considered "novel foods".

BBC science correspondent Pallab Ghosh says this is in effect a ban. Breaches of the Novel Food Regulations can attract a fine of up to £5,000.

Some European farmers believe they are being put at a disadvantage by being denied the option of using the technology, our correspondent adds.

Critics say there are strong ethical and animal welfare reasons to ban its use in European agriculture.

"There are many unanswered questions on the issue of cloning animals - both ethical and practical - and insufficient regulation," said a Soil Association spokeswoman.

"Not only does cloning have a negative impact on animal welfare, we also have no long-term evidence for the impacts on health."

The European Commission proposes to ban meat and milk from clones and their offspring. The FSA board will discuss this at its December meeting, with the outcome influencing Britain's negotiations on the issue in Europe.

A spokesman said the board had asked for clarity from Europe but that any change in position was unlikely to come in the short term.

"It is for individual member states to interpret European law but, obviously, we differ from the commission on this," he said.

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Friday, 26 November 2010

Bristol nursing home staff ignored dementia sufferers

Bristol nursing home staff ignored dementia sufferers

Sunnymead Manor The report highlighted issues over cleanliness and welfare at Sunnymead Manor

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Carers at a Bristol nursing home ignored dementia sufferers despite repeated calls for help, inspectors have found.

The Care Quality Commission (CQC) said residents were left with food on their faces and clothing at Sunnymead Manor, in Southmead.

Admissions at the home have been suspended following the report.

The owner of the home, Mimosa Healthcare, has issued an "unreserved" apology for the distress caused.

"Mimosa Healthcare regrets that in recent months it has not delivered in certain areas to the high standards of care the company expects and delivers throughout its business," it said in a statement.

"We also acknowledge that this has also fallen short of the high standards rightly demanded by residents, relatives, the CQC and other partners."

The firm added it took the "concerns and issues highlighted within this report extremely seriously".

'Exposed to infection'

The CQC said it inspected the home after a member of staff there raised concerns.

Two inspections were carried out on 13 and 15 October.

Inspectors found bedrooms at Sunnymead had "offensive odours and stained carpets" while morning medication was given to residents too late.

There was also no evidence of training for staff in how to manage wounds and infection.

Ian Biggs, from the CQC, said the care at the home "fell far short of the standards people have a right to expect".

"It is even more disturbing when you consider that many of the residents here are frail, vulnerable people who are the least able to complain about the poor and unhygienic environment.

"We found clear evidence that the home is not maintaining essential standards of cleanliness, with the risk that staff and residents are exposed to healthcare associated infection."

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Peter Howson was born in London







Blind Leading the Blind III (Orange Parade), 1991.
Peter Howson OBE (born 1958) is a Scottish painter. He was an official war artist in the 1993 Bosnian Civil War.
Peter Howson was born in London and moved with his family to Prestwick, Ayrshire, when Howson was aged four. He spent a short time as an infantry soldier in the Royal Highland Fusiliers but left to study at the Glasgow School of Art in 1979 where he worked alongside contemporaries such as Adrian Wiszniewski, Steven Campbell and Ken Currie, who also worked in figurative art.
His work has encompassed a number of themes. His early works are typified by very masculine working class men, most famously in The Heroic Dosser (1987). Later he was the official war artist for the Bosnian civil war in 1993. Here he produced some of his most shocking and controversial work detailing the atrocities which were taking place at the time. One painting in particular Croatian and Muslim, detailing a rape created controversy partly because of its explicit subject matter but also because Howson had painted it from the accounts of its victims rather than witnessing it firsthand. Much of his work cast stereotypes on the lower social groups; he portrayed brawls including drunken, even physically deformed men and women.

Judas, 2002.
In recent years his work has exhibited a strong religious theme which some say is linked to the treatment of his alcoholism and drug addiction at the Castle Craig Hospital in Peebles in 2000, after which he converted to Christianity.[1] Howson also has Asperger syndrome.[1]
His work has appeared in other media, with his widest exposure arguably for a British postage stamp he did in 1998 to celebrate engineering achievements for the millennium, which allegedly infuriated The Queen as her head seemed to be appearing out of a chimney. In addition his work has been used on album covers by Live (Throwing Copper), The Beautiful South (Quench) and Jackie Leven (Fairytales for Hardmen).
His work is exhibited in many major collections and is in the private collection of celebrities such as David Bowie, Mick Jagger and Madonna who inspired a number of paintings in 2002.[1]
Howson was appointed Officer of the Order of the British Empire (OBE) in the 2009 Birthday Honours

The Madness of Peter Howson, BBC Four, review

Benji Wilson reviews The Madness of Peter Howson, BBC Four's profile of the painter who was driven to the edge of his sanity by an art commission, plus Misfits, the Asbo teen superhero drama on E4.

Artist Peter Howson, who has autism, is the subject of the BBC documentary  The Madness of Peter Howson, which shows how a commission drove him to the edge of bankruptcy and his sanity.
Artist Peter Howson, who has autism, is the subject of the BBC documentary The Madness of Peter Howson, which shows how a commission drove him to the edge of bankruptcy and his sanity. Photo: BBC
Blame Van Gogh’s ear, or Blake and his angels in trees, or just about anything to do with Caravaggio, but we tend to like our artists a little bit wacko. Inverting the premise, artists who are financially astute, wear Boden slacks and smile politely wind up as illustrators. A little torment makes a better picture. Which is why last night’s documentary on BBC Four about the Glaswegian artist Peter Howson, whose pugnacious, almost cartoony figurations are so beloved of aesthetes like Madonna and David Bowie, was titled The Madness of Peter Howson.
Howson has suffered from drug and alcohol addiction and was diagnosed last year with Asperger’s syndrome. But in fact, Howson’s madness, if indeed any of that constitutes madness, was by far the least interesting thing about the film. Had it been titled Peter Howson Paints a Picture no one would have watched it, but ironically, the best bits were the ones where we got to watch the painter painting.
No child of the Eighties can forget the wonder of watching Rolf Harris pom-ti-pom-ti-pom-ing a blank canvas into a recognisable image with a few casual slaps of paint. It should remind us that the very best thing television can do with art, that an art gallery can’t, is to show how it is created
http://www.bbc.co.uk/iplayer/episode/b00w57gt/The_Madness_of_Peter_Howson/

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